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remotely reminiscent of  a buy-nothing-day 
slacktivism. This particular portmanteau
refers to any do-good desire not predicated 
upon the actual act of getting out of one's 
armchair. One could easily categorize those 
poets who have not yet visited regions directly 
affected by BP's oil spill but who nonetheless 
write about it, as slacktivistic scribes.
Slacktivistically speaking, ribbon magnets on 
moving vehicles and the gratuitous posting of 
YouTube protest videos also fits this definition. 
Somewhat analogously, the current digi-clime 
of harvesting hundreds of virtual 'friends' by 
tapping a few keys in the name of anti-content 
seems wrought from the same anesthetized 
state of mind. As notions of locality crash 
headlong into (this kind of) voyeuristic virtuality,
one doesn't need to ask how writing has changed.
Cyberism has more to do with social ranking
than it does with language.  And although blogs 
may have eroded traditional broadcast media, 
the jury is still out on those blogs that receive 
no user feedback. If not for that grandiose 
practice of social presence, what are writers
writing for, or rather, for whom? Being on the
lowest rung of internet hierarchy widens the
frontier for free expression. Afterall, no one is
watching. So, while the meat-eating majority 
get all distracted by an in-crowd dynamic, 
twitterizing their blog rolls for the sake of 
social currency, some writers are repurposing
the blog tool for an entirely different effect.
That sweet stranger syndrome. But whatever 
their intent, it is not yet the mainstream 
stuff  of contemporary media research.
Cynical slacktivism indeed.
"Then from those profound slumbers,we awake in a dawn, not knowing whowe are, being nobody newly born, readyfor anything, the brain emptied of thatpast which was life until then ... Then,from the black storm through which weseem to have passed (but we do not evensay we), we emerge prostrate, withouta thought. a we that is void of content."(Proust II, 1014)

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